The proposed Ring House consists of a cylindrical volume embracing a rectangular one. The cylinder acts as a protective closed wall with a single narrow opening serving as the entrance, while the inside rectangle accommodates fluidly all the house functions necessary for the everyday life of the artist: a bedroom, a bathroom, a living room, a kitchen and an atelier. The interior space interacts smoothly with the serene outdoor atrium, a large terrace garden with one symbolic tree and a circular water feature.
The key feature of this building is a massive portico that floats over the school gardens. The structure arises from the combination of the two programmatic requirements. The need to create an institutional iconic image, and the inclusion of a set of amphitheatres. The result is achieved in one of the largest concrete structures in the world. In an article published in the Design Magazine, CC Sullivan wrote: Montenegro's School of Technology and Management never fails to create opportunities for reflection. The theatricality and grandeur are unmatched elsewhere...
Rising Moon is a temporary pavilion designed to serve as an anchor attraction during the 2013 Hong Kong Mid-Autumn Festival. It re-interpret traditional paper lanterns with recycled plastic bottles on the same time creating a Synthetic Moon, thus promoting the message of environmental protection. Rising Moon offered strong visual impact with sound and lighting effects externally and internally. The design received the Gold Award at the Lantern Wonderland Design Competition.
The Smartstreets-Cyclepark™ is a versatile, streamlined bike parking facility for two bicycles which fits in minutes to enables rapid improvement of bike parking facilities across urban areas without adding clutter to the street scene. The equipment helps reduce bike theft and can be installed on even the most narrow streets, releasing new value from existing infrastructure. Made of stainless steel the equipment can be RAL colour matched and branded for Local Authorities or sponsors. It can also be used to help identify Cycle routes. It can be reconfigured to fit any size or style of column.
The ambition of this design is to merge ancient Egyptian history with the futuristic fluid methodology of design. It is a literal translation of Egyptian most iconic religious tool into a fluid form of street furniture that borrows the characteristics of the flowing style where no specific shapes or design is advocated. The Eye represents both the male and female counterparts in the procreation of God Ra. The street furniture hence is presented in a sturdy design symbolizing masculinity and strength while its curvaceous looks portray femininity and gracefulness.
Some of the most fulfilling designs are those embedded and contextualised in their local culture. It was the designer’s intent from the outset to reflect, in the architectural expression, the vibrant nature of Asia, Hong Kong and Wanchai. The shading device on the hotel façade resembles a dragon; the glass bottomed cantilevered pool is considered as a pearl often associated with dragons. The hotel design also provides legibility at both the City (macro) and Human (micro) scale.