Design Blogger

Design Blogger

Design Blogger featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Prison History

The cellular prussian model prison in Berlin Moabit, constructed between 1842 and 1849 In lieu of communal cells and corporal punishment, the reformers devised a system of isolation with individual cells. In the last years of Worldwar 2 political prisoners have been captured and tortured in the prison. After its demolition in 1958 ist was used as a storage space. After the Berlin Wall fell the city contracted glasser and dagenbach to develope a recreational and memorial park. An architectural garden within the prison walls was created by using land art means - a prison story told in a park.

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Haus M

The shape of the building is meant to imitate an extract of a mine. The inside of the residence revolves around the living room, which measures 6 meters in height and is divided by a gallery layer. An open and tense spatial structure is being formed hereby. The frontal terrace plane operates like a stage set and creates more depth within the room.

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Ryouriyado Yamazaki

This is the Onsen Ryokan street on the Echizen coast of Fukui Prefecture facing the sea in Japan. The specialty of this spa town in Hokuriku is the Echizen crab dish. They got consultation from a Japanese inn executive who provide the dish. It was a request to change the RC inn to wooden structure. There were two reasons. One was the RC construction buildings deteriorated by severe sea breeze had ended useful life within 40 years. Another was to build a wooden healing inn and to entertain customers for Echizen cuisine.

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Shui

Located in China in Southern Guizhou Province, Shui Cultural Center is a gateway to Sandu County, the land of the Shui ethnic minority. West-line studio’s goal with this building was to turn the Shui’s ritual elements and atmosphere into a public space. A thin bronze skin creates a contrast with the heavy concrete structure, breaking the sunlight to create a dramatic effect once inside. After visitors pass the open water square the Cultural Center presents a succession of three spaces, strongly characterized by pitched roofs, which evoke the Shui’s mountain pictogram.

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The House for Contemporary Art

This home was designed for an art appreciator and amateur artist who wanted a “house like an art museum”. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures. One of the main concepts is 'Seamless Spatial Composition'. You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.

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garden cube

A maximum, minimalistic garden on a space of 130/130/130 cm. The European interpretation of Japanese Zen Gardens. Forming a cube with a pruned yew and a limestone. The joint between both is defined by an almost diagonal line through the cube. Two materials, plant and stone, a simple shape, following Mies van der Rohes claim:"Less is more". The sculpture moved from Germany to Armenia, where it is placed at the beginning of the Prince of Wales Avenue in the United World College in DILIJAN, ARMENIA.

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